During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. The braces were generally thin and numerous compared with other manufacturers. Please note this is an archived topic, so it is locked and unable to be replied to. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. Instruction * ConcertsJams * More
peghead shape. Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. RB -- regular banjo (5-string) TB -- tenor banjo. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. 1940: #1 or #001 to 1965: approximately #84xxx. Gibson Identification. The binding on the top is b/w. The sides and back were tinted mahogany with a sunburst red spruce top. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version.
Banjo Headstocks - Pinterest The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. Instrumental.
10 Common Guitar Headstocks Shapes Explained (2023) - Guitar Lobby Mando-banjo identification [Archive] - Mandolin Cafe Forum Gibson TP-6 tailpiece became standard. Banjo Headstock Designs. If1970s, would be Japanese, more likely. Plectrum. 1980 $1249 By late 1980, the Gibson deluxe tuners with Crank button, and Posi-Lok strap button were added. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. There are some examples of two piece bodies used with the transparent or natural finishes. The narrower guitar sizes allowed for available materials. made unmarked banjos for others to sell as well.
Gator GL-BANJO-XL Banjo Light Weight Case - $50 (Lynnwood) It's difficult to positively identify the manufacturer of these . Gold War era logo - This type is called "Banner logo". All Rights Reserved. cases they carry no identifying name at all. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. See more ideas about banjo, guitar inlay, mandolin. Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. These appear to have a unique serial number scheme. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. Gibson had helped in the war effort and seen many employees enlist. teachers who sold them to students, some of which are tagged with the name of
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It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. Knob changes usually following other Gibson electrics. serial number impressed to verso, 60 cm long Australian zither . The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. Gretsch started a new serial number system. Its difficult to positively
The banner only a Gibson is good enough logo is replaced with the old style Gibson script gold logo, The blond J-50 is introduced (limited until 1954), Bracing system changed: non-scalloped, low cut braces, Larger pickguard with point at upper bout, Headstock appointments: pearl logo inlay and crown added, Adjustable bridge saddle offered as an option called J-45ADJ. They were mahogany back & sides with single layer binding front and back. Labels say: A. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. A Style mandolins were symmetrical and shaped like a teardrop. The above Peghead Shapes are existing patterns.
Serial Search - Gibson Mid 1921 through late 1930s: larger base with 2 feet, 3/8 adjustment wheels and wooden compensated bridge top. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. (Folk Jumbo Natural and Folk-25).
Gibson RB-250 MASTERTONE 5-string RB250 - All Original with - Reverb.com JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model.
Date Your Harmony - Harmony Guitars Vega Banjos - Deering Banjo Company It took Gibson 2 years to develop their response: The Jumbo of 1934.
Vintage Kay Company Banjo - Need Help Identifying Model - Discussion string peg perch is typically carved out from the side of the neck as shown
The headstock face was veneered in black. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. To accommodate the pickup, the standard production neck was pushed up to a neck-body joint at the 15th fret. Yes, paging Scott to the Collector's Corner, please. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. The bridge was a small rectangular block type with a through saddle. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. No binding, no inlay and no decoration. There were 1424 made.
Gibson Headstock Logos thru the years in Pictures Yes, please do post your tune here on this page. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. The system is not known for certain but might have restarted as consecutive numbers beginning at 1000. Identify vintage banjo fleur de lis inlays on headstock & carved heel . Each type of banjo head has a unique contribution to your banjo's tone. The Lyon & Healy peghead shape used on most of
Steel Guitar. By the records, between 200 and 300 were built. The following site helps identify the labels with the date and location of production: All Gurian Guitars have serial numbers stamped on the neck block in characters visible through the soundhole. The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. G Edward Porgie - Posted - 06/16/2021: 14:40:30. I just received this mando-banjo I bought on e-bay and I'm hoping someone can help me identify the builder. There were many name variations for The Bacon Banjo Company, Inc. but it remained in Fred Bacons name from 1920 until the company closed in 1938. The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. There is a utility market though. White from 1928 to 1943/44.
Lion Banjo Mfg Co - Rock Rapids, Iowa - S. Nathaniel Adams It is, therefore, not unusual to find older mandolins with replacement bridges. Music Love. http://www.mugwumps.com. Introduced August 1942 and J-45s are still available today. Though it has gone through a number of refinements over the years, the basic design has not changed since. Rated 5.00 out of 5. gibson one-of-a-kind Christmas banjos! CMI acquired Gibson around May 1944. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. The later pickguard clamps have a stamped patent date of July 4, 1911. How to customize a Huber Banjo; . There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. Between 1974 and 1984 production of Gibson guitars was slowly being shifted from Kalamazoo MI to Nashville TN. identify the manufacturer of these banjos in many cases, but some identify
Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. It worked. Since Spruce was needed for the war-time effort, some J-45s in 1943 have a mahogany top. On rare occasions, some dates can be found on . Many banjo manufacturers, in addition to making banjos under their own names,
This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. The 1975 price was $659. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. It had a 24 3/4 scale and was constructed of all solid woods. It became the working mans choice and one of the most enduring instrument designs in history. mikehalloran - Posted-12/27/2013: 17:21:06. The further down the headstock the peg is, the shorter it will be. Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. Larrivee Serial Numbers (approximate). Some examples had the black (skunk) strip down the middle of the top similar to the Southerner Jumbos. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. Bodies: Rosewood, oak, mahogany, koa and maple. Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol.
Epiphone Serial Number Lookup - Authority Guitar It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic.
Identifying and Dating Kay Guitars - S. Nathaniel Adams Another useful
Use them in commercial designs under lifetime, perpetual & worldwide rights. The 1975 price was $549. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) Some banjo . Collector's Corner
The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200). It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. serial number impressed to verso, 60 cm long 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. . tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their
You'll find Epiphone serial numbers in the standard places. They are very pricy at over $20.00 each, but worth it if you want . The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. The rosettes were simple white-black-white. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. Go back. feature both a serial number and a FON. Hard-case rugged and gig-bag light! Where no serial numbers are shown they simply are not known. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. Unfortunately, the information is confusing and inconsistent. At least one model, the Epiphone Spirit, was manufactured in the USA during the early 1980s in the Gibson factory in Kalamazoo, MI.
What Does My Banjo's Serial Number Tell Me? - Deering Banjo Company Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The J-160E was Gibsons second design for an electric flat-top guitar following the CF-100. Many banjo manufacturers, in addition to making banjos under their own names, made unmarked banjos for others to sell as well. I have never seen one like this in person or even a picture of one. I'm thinking it was made by the Iida folks for a NAMM show or something. Deering Gabriella 5-string banjo headstock. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. MK-99 models were handcrafted and signed by Richard Schneider. Ebony Fretboards were generally thicker than other builders. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. For a period of time, this was the top of the line. Then Gibson developed the adjustable bridge. The instruments had modified fan bracing and asymmetrical bridges. ss stewart presentation banjo - Google Search. Sha-Sw. T-V. W-Y. Saga Bella Voce 70/80. Weekly newsletter includes free lessons, favorite member content, banjo news and more. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN
At least then you will know the model name. side of the top of the peghead (see last set of pictures below). Presentation banjos often turned up at NAMMand other shows. The fingerboard of the L-5S is in with select abalone. Body shape changed to square shoulder dreadnought. Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). As a vintage instrument dealer, I see no collectors market for banjos like yours. Since that day in 1989, Deering has breathed new life into the Vega name, blending over a century of tradition with Deering's banjo building expertise, to create a range of heritage rich open back and longneck banjos that are as integral to the modern folk . Pearl dots on fretboard. The grade of top wood was tighter grained. New Location:
Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55.
Binding a Banjo Headstock - AcousticBox.com I like it. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners.
Identifying How Old Your Banjo Is (The Easy Way!) - Pro Music Vault Banjo not included or available. Its not clear how it works during this period. target no need to return item. Higher grade models (such as the Super 400, L-5, J-200, etc.) Because there are few of these instruments around, little has been written about them, though some did find their way into the hands of influential artists of the day. CONTACT US; Headstock Shape.
Headstock Shape - Huber Banjos Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. The decade following saw a change in finish from varnish to shinier lacquer. The aluminum shell was chrome plated with 24 chrome-plated brackets. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. Our 19th Year * Sign Up Now
During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. They are maintained by Donna LoPrinzi in Clearwater Florida. MB -- mandolin banjo. A flourish inlay under The Gibson in the headstock. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish.
Asian Banjos - L-Z - Fastie 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. The fingerboard was rosewood with 9 inlaid position markers. Some rectangular examples, black bridge pins (2 pearl dots on rectangle bridge), Headstock appointments: gold decal: Only a Gibson is Good Enough banner. Start your day off right, with a Dayspring Coffee Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. These appear to be the easiest to find and quite reasonable to buy. which do not feature a paper label. There were 431 made. 1959: Larger crown frets and the adjustable bridge. Sounds great and the instrument is very easy to play. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. In 1941 the fretboard became Brazilian rosewood. Ironically, the script logo on the headstock was old-style. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. Example: S3021234 = Samick Korea / 1993 / February . 2: The Histories of Cool Guitars". It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Headstocks of US models also use the Gibson headstock shape. Take a closer look at the serial number found on the back of the headstock and reference the guide below. Cherry Sunburst is still available. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. Hard-stamped serial numbers. Scott Zimmerman may be able to shed some light on this. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. Gibson started making banjos in 1917. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). Gibson introduced their first adjustable belly bridge 2 screws to raise and lower the bridge. middle-sized, chrome tuners. It is not clear how Gibson decided to set their nut widths and neck thicknesses. Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. The back braces were tall and thin and Gibson scalloped the top braces. New Location:
In general, higher model numbers meant more binding and ornament.
www.stonebanjo.com - Peghead Shapes My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. Deering. Download Old Banjo stock photos. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck.
The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. Yet somehow, there's a certain cool factor to this one. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. There is a Kay company logo on the headstock but absolutely no other identifying marks. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. Over time the J-35 braces began to appear scalloped. They were well suited for orchestral arrangements as well as individual play and accompaniment.
How to Identify the Five-String Banjo - dummies F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. 1916 into 1921: the pin to the bridge was dropped. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. There were some 1 3/4 nuts available. It was bound on the top, back, sides and around the fretboard. What's the history on the this jo, are you the original owner? Style Designations (There are many exceptions to the following). "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. The following are a rough guide. Jun 24, 2020 - The Art of Banjo Headstocks. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 .
Buy Prewar Gibson Banjo Online - Banjos for Sale $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. 1-6 digits stamped into the top edge of the headstock-often difficult to read. Early 1970's block shaped no dot over the "i" closed "b" and . The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. In some cases there are no pickguards. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. Serial number records exist for instruments built before 1975 and after 1980. It was reintroduced in limited editions in 1991. The A.C. Fairbanks Company (incorporated 1875) was succeeded in 1903 by the Vega Company (established 1889). The tuners were individual Kluson with amber buttons.
Different Parts Of A Banjo: The Structure And Anatomy Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. This moved the X away from the soundhole a bit.